Kate Carr’s chooses materials for her sculptures that are associated with utility, usually very familiar (such as felt and plywood), though overlooked in our daily lives. The formal quality that concerns her most is line, the simplest mark that both differentiates while connecting space. She uses simple geometric forms as they allow her materials to be seen and encountered clearly, unencumbered by their shape.
Sarah McKenzie’s work captures architecture in transition. Her work has depicted hotel rooms and parking garages, spaces that are specifically designed to accommodate the temporary; spaces that are fluid rather than fixed. Along these lines, her newest body of work focuses on exhibition spaces–the architecture of museums and galleries.